Saturday, February 23, 2013

A City of Wax - Episode 6



~Wax saw himself out of the office. He quickly made his way back down the hall and out to where his steambike waited for him. His mind swarmed furiously with new information and leads, but for now, he sped off to exchange his borrowed finery for his thick coat. It was time he made another trip to The Gardenworks, and he was going to need it.~

            The dreary damp of the Gardenworks had not improved since Wax’s last visit, and he silently muttered to himself as he dismounted his steambike. He’d arrived at a relatively nondescript stone building whose walls were alive with creeper vines and moss. Wax turned his thick collar up to the damp and retrieved his smog tin, placing one between his lips and lighting it with a flick of his flintstriker. Placing the objects back into their respective familiar pockets, Wax blew a long, steady stream of smoke into the air and walked inside.

            The inside of the morgue, while notably clearer of vegetation, was not much less dreary than the outside. The lone office was adorned with half-dissected models, preserved cadaver segments and books on anatomy, along with a cluttered desk littered with sheaves of loose paper. Wax could hear familiar bustling coming from the back of the building, and he followed the sound into the examination room. He was greeted by several corpses shrouded by white cloth lying atop examination slabs, strange instruments lining every wall and surface, and a familiar figure mumbling to himself as he moved busily about the room. Wax exhaled a cloud of smoke into the air and the man paused, giving a short sniff. “You’ll contaminate the bodies like that, you know.” He muttered. Wax chuckled.

            “I’m assuming you’re here to view your handiwork?” The man asked, turning to face Wax, peering at him through his comically large goggles. Jonas Flynt was slim, pale, and small, even for a Heartlander. Wax thought he very much resembled the skeletons hanging from metal stands in the corner of the room, save for his wild tangle of stark white hair.
            “How’d you know it was mine?” Wax asked as he stepped into the room. Jonas hobbled over to a nearby slab and tossed aside the thick white sheet, revealing the dead man’s torso but preserving his dignity. From the look of the carved chest, an autopsy had already been performed.
            “Firstly,” Jonas began, sifting through his tools on a nearby table, “you never show up here unless you’ve shot someone or knew someone who’d been shot, and secondly…” he continued, selecting a long slender metal implement and gesturing to the hole in the dead man’s chest. “Cause of death, one shot, clean through the heart, inch and a half entry wound, nearly three and a quarter inch exit wound. Result of a shot from a ball typically found in single-shot pistols or in one particular case,” he gave Wax a knowing glance, “a heavy caliber hand cannon modified to fit a six-shot revolver cylinder specifically designed to fit these rounds.” He concluded. Wax shook his head, masking a grin with his hand as he lifted his smog to his lips.
            “If it’s any consolation, he shot first.” Wax said. Jonas placed his tool back on the small table.
            “Don’t they all?” He asked.

            “So. Any idea who he is?” Wax asked. Jonas shook his head, leaning back over the corpse on the table.
            “Not even the foggiest, but I can tell you, there’s some pretty strange stuff I pulled off of and out of this guy.” He said. Wax’s silence cued him to continue speaking. “Firstly, from what I pulled out of this guy’s stomach, he was on just about everything he could be on. I found traces of Kapff, used to go days without sleeping, painkillers, Hustle Punch, and Regret-Me-Not. Now, ruling out that last one, he must have been absolutely twitching by the time he caught up to you. That’s not all, though.” Jonas hobbled over to another cluttered surface and rummaged noisily through the loose implements until he unearthed a stack of papers. He flipped through them, hobbling back to the corpse. “Your guy here had a thing for cheap snuff, and I found evidence of Nethervine Extract poisoning in his throat. That stuff will usually have you hallucinating and feeling like your head is about to split open, but not in amounts this small. The odd thing is, even a mild exposure to the gas itself would cause more damage than this. I was confused until I remembered his snuffbox.” Jonas pulled open a drawer beneath the slab the dead man lay on and produced a simple, featureless snuffbox. “The poisoning came from that. Now, I don’t know many people who go around flavoring their snuff with toxic gasses, do you?” He asked. Wax rolled the small container in his palm.
            “So he was set up.” He said.
            “It’s no wonder he didn’t hit you. All that juice in his system, coupled with the fact that after snorting a knuckle full of Nethervine Snuff, he was probably feeling the equivalent of the worst hangover of his life. He never stood a chance.”

            Wax pocketed the snuffbox carefully and ground the stub of his smog into his boot heel. He gave one last look at the unidentified corpse.
            “There was one other thing.” Jonas mentioned as Wax turned to leave. “On his clothes and under his nails, I found a powder residue. It took me a while to piece together what it was, but it turned out to be a dye pigment in powder form. Two separate colors, specifically: a dark brass and a red.” Wax immediately recognized the colors from a far-too-familiar company stamp. The brass and crimson logo of Kaus-Lonhark Industries was stamped onto every tin of Wax’s favorite smogs he’d ever purchased.
            “You’ve been a great help, Jonas. Let me know if you turn anything else up.” He said, heading for the door. Jonas may not have been able to turn up a name, but perhaps a former employer would. Wax fired up his steambike and headed for Central- and the Kaus-Lonhark Industries factory.